BrotherMen

Stories & Discussions From Men Of Color

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FUNKIN’ LESSON: American History My Ass

thehuskybro:

I’m watching the Hatfields & McCoys miniseries

Pretty good stuff. 

Damn Tom Beringer, you scary!

But let’s be real.  I don’t give a fuck what people say, you can wax nostalgic about this all you want, Rick Santorum can dream about these “good ol’ days” all he likes, if these thugs, criminals, illiterate, Country Time Lemonade sippin’, mega mix no rap bastards are considered AMERICAN HISTORY…

Then so are these thugs, criminals, illiterate, Country Time Lemonade sippin’, mega mix no rap bastards.

The Double Standard: American History Style

If It Walks Like A Duck…

Filed under hatfields and mccoys crips and bloods not much difference as far as I can see

8 notes

Aye….

ramblingsofanurbanjawn:

A few people have mentioned that my previous post can stir some trouble.

If someone wants to come to me and call me anti-woman or say I can’t be called a feminist because I actually love men…then…

Yeah.

Do that. 

57 notes

Maybe I’m From a Different School of Thought….

ramblingsofanurbanjawn:

But I dont think there is anything wrong with a dude saying, “yo, I’m a good dude. There are some fuckshit assholes out there…but I’m a good dude.”

I have known some bad dudes. Maybe to some women, bad dudes are nothing but a concept. But I have known some bad fucking dudes, man. Bad men. You might even say “evil,” if you believe in that kind of thing.

I’m not talking about men who bitch about how good they are how they’re being friend zoned and then turn around and call all women “bitches who only want assholes so fuck all those cunts.”

I’m talking about a dude who as never harmed you, who has never disrespected you, who has never shown you malice, a dude like that saying “hey, I’m a good man. I realize there are assholes out there, but I’m a good dude. Gimme a shot.” And if they hear “no” and that man says “aight, thats too bad. I’m an ok guy though,” I don’t look at him and think anything other than he is probably a good man, just not for me. 

Maybe to some women, good dudes are nothing but a concept. But I have known some good fucking dudes, man. I have known some AMAZING men. I have dated some AMAZING men. I am friends with some amazing men and some of them have amazing girlfriends. 

But like I mentioned in a post a while ago, I love men. I am cautious with them. I know that they can hurt me, both physically and mentally. I look and listen and watch and follow my instincts as often as I can. 

Sometimes when a man calls himself a “good dude” my red light goes off and there are sounds of laughter in my head because my instinct just told me that you are a piece of shit.

But other times…man….they are good dudes. And it’s ok for them to take some credit just like it’s ok for US to take some credit. Why can’t we, as humans,  take occasional credit for our goodness? Why is that bad? Why is it ok for ME to say “yo, I am a great woman” but it’s not ok for them to say the same?

Whether they are friends or lovers or past lovers or future lovers or just out there existing making someone happy or trying to make someone happy…ya’ll good ones?

Man….I appreciate ya’ll. 

Filed under my grammar is fucked i apologize too many quotations men women relationships

22 notes

Searchin’ 4 Meaning © Laster

bastardswordsman:

In the past three weeks several things have happened that led me to writing this piece. The deaths of Adam “MCA” Yauch, Chuck Brown, Donna Summer and Hal Jackson are among them. It started to make me think about how these changes might subconsciously affect people from my generation given how much things have already changed in the world around us in these exponential times. I call this “Searchin’ 4 Meaning © Laster”.

The initial occurrence that led to me writing this piece was the fact the record store I’d frequented the most and for the longest time (“Looney Tunes” on Boylston St.) is closing it’s doors and relocating after 33 years in my neighborhood. I very vividly remember there being a wealth of great record stores in my immediate area and now I can count them all on one hand. I find myself walking around to this day looking at a random Qdoba, Boloco or UBurger knowing that I used to cop 60’s Canadian garage Rock from there 15 years ago. It hurts my soul and I can never shake the feeling that the world I know is slipping away one piece at a time.

The prevailing attitude is that it’s better to remove a band aid quickly as opposed to dragging out the agony. The problem is since about 1997, the past 15 years or so have resulted in so many quickfire changes that those of us that were born in the late 60’s to late 70’s and remember when the world was different might be developing some sort of syndrome or mental condition that’s yet to be discovered or named. In this relatively new exponential world change happens so rapidly there isn’t even time to assess if or how all this constant wholesale change is affecting us. And I don’t know how it possibly can’t be.

Case in point, I decided to go cop some headphones this weekend. I usually shop online for these kind of items as I can more easily browse and find exactly what I’m looking for. I instead decided to do like I did so much back in the good old days and go out physically with paper money like we oldheads used to do . Yeah, about that…

The neighborhood Best Buy is now closed and filled with trash and debris so I can’t go there. The Urban Outfitters across the street from it only had earbuds for hipsters (if you’re not a hipster your body would reject them). Newbury Comics only carries either Skullcandy or Beats By Dre’s. Even Radio Shack is loaded with mostly Beats By Dre and Skullcandy. The sad part is the specialty electronics stores I used to go to in my neighborhood before are all out of business. This also includes the music stores I used to frequent (Daddy’s Junky Music & E.U. Wurlitzer). I had to trek downtown to find a mom & pop’s store in order to just find something as simple as a pair of Sony MDR-V150’s or MDR-ZX100’s.

Here I am, a 36 year old man who knows this city better than the dead White guy who originally designed it and it took me two hours in a city where everything is 15-30 minutes away to find a place I could pay cash for some basic headphones. I was in the malls near my home earlier (Copley Place & Prudential Center) and it really hit me how quickly a shop will be replaced with another one. If you’re from the younger generation then this won’t affect you at all because it’s common to you. I’m still kinda hung up on the fact that Babbage’s doesn’t exist anymore.

The constant changes in the world and society make us want to grab onto and appreciate the things that we grew up with even more. I believe that’s the reason we oldheads in Hip Hop seem to be so in opposition to many of the new artists and producers we’re presented. Much of it is a subconscious by product of the fact almost nothing we came up with still exists in the same form or is the way we remember it anymore. Which is partly why Lupe Fiasco trying to remake “T.R.O.Y.” was met with such a resounding negative reaction by older heads, I believe.

Shit, MySpace is considered a joke now and it was popping just 5 years ago. Now imagine how I feel when I go back to my old formerly dangerous neighborhood where shit went down just 15 years ago to see a bunch of hipsters, bros and yuppies sitting in sidewalk cafes with iPads and riding down the street on longboards. I can’t rob ‘em all by myself! (I’m just kidding. I totally could). What I’m saying is these feelings of longing for the past and hatred towards the new might not just be nostalgia or an early onset mid life crisis after all.

It wasn’t until relatively recently that the scientific community discovered that Post Traumatic Stress Disorder was largely responsible for the problems affecting Vietnam War veterans. It wasn’t until relatively recently that the medical community really began to fully recognize the rate of postpartum depression in mothers shortly after childbirth. What I’m saying is there’s no way that anyone around my age can be around in this era where we’re still relatively young but still feel like it’s “No Country For Old Men” outside and be completely unaffected. It might be subconscious, the exact symptoms might not all be nailed down yet but something is definitely happening to us mentally.

We are currently in a unique space. There hasn’t been this much social upheaval and change across the board since the 1960’s. What’s even stranger is that while the times were a-changin’ pretty quickly back then, they’re changing exponentially now. The same way that everyone was affected then people are (whether they’re recognizing it or not) being affected by what’s happening in the world today.

From the basic/macro level all the way on up. I spent this weekend walking around realizing that I not only couldn’t locate a Best Buy, Circuit City or a Radio Shack near me without doing a damb Google search on my iPhone but I’m only down to three local record stores. Only one of which specializes in old vinyl (Nuggets in Kenmore Square). However, there were six different Sunglass Huts in my immediate area. I’m out here searchin’ 4 meaning

One.

(via shehateme)

1 note

gabrielleunionisfromnebraska:

The Black & White Minstrel Show 

The Black and White Minstrel Show was a British television series that ran from 1958 until 1978 and was a popular stage show. It was a weekly light entertainment and variety show presenting traditional American minstrel and Country songs, as well as show and music hall numbers, usually performed in blackface, and with lavish costumes.

The show was first broadcast on the BBC on June 14, 1958. It began as a one-off special featuring the male Mitchell Minstrels (after George Mitchell, the Musical Director) and the female Television Toppers dancers in 1957. It was popular and soon developed into a regular 45 minute show on Saturday evenings, featuring both solo and minstrel pieces (often with extended segueing) as well as “comedy interludes”. It was produced by George Inns with George Mitchell.

Audiences regularly exceeded 18 million. The Minstrels also had a theatrical show which ran for 6,477 performances from 19601972 and established itself in The Guinness Book of Records as the stage show seen by the largest number of people. At this time, the creation had gained considerable international respect and kudos. The show won a Golden Rose at Montreux in 1961 for best light entertainment programme and the first three albums of songs (19601962) all did extremely well, the first two being long-running number ones in the British album chart.

While the show started off being broadcast in (genuine) black-and-white, the show was one of the very first to be moved to colour by the BBC in 1967.

Several famous personalities guested on the show, while others started their careers there. Comedian Lenny Henry was one such star, being the first black comedian to appear, in 1975. 
The show’s premise began to be seen as offensive on account of its portrayal of blacked-up characters behaving in a stereotypical manner. A petition against it was received by the BBC in 1967, and since cancellation it has come to be seen more widely as an embarrassment, despite its popularity at the time.

The BBC1 TV show was cancelled in 1978 as part of a reduction in variety programming (although by this point the blackface element had been reduced), but the stage show continued. Having left the Victoria Palace Theatre, where the stage show played from 1962 to 1972, the show toured almost every year to various big city and seaside resort theatres around the UK, including The Futurist in Scarborough, The Festival Hall in Paignton and The Pavilion Theatre in Bournemouth. This continued each summer until 1987, when a final tour of three Butlins resorts (Minehead, Bognor Regis and Barry Island) saw the last official Black and White Minstrel Show on stage.

This film footage is from the Archive Collection held and administered by the Alexandra Palace Television Society. 

http://www.apts.org.uk 

(Source: youtube.com)

Filed under The Black & White Minstrel Show blackface minstrel funkin' lesson

28 notes

gabrielleunionisfromnebraska:

The first time I ever saw Maya Angelou was on The Richard Pryor Show (check out who the bartender in this excellent sketch is!).

At first it seems like a regular comedy sketch but it becomes something more powerful.

I didn’t completely understand the scene when I first saw but now I see it for what it is…Excellent.

America wasn’t ready for The Richard Pryor Show back then, I doubt that it’s ready for it now.

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